Printable Vintage Art: Interior from Paris by Harriet Backer

Interior from Paris, 1886
by Harriet Backer (1845–1932)

It is the still, yellow kind of afternoon when one is apt to get stuck in a dream if one sits very quiet.
― Dodie Smith

I spent my life folded between the pages of books. In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.
― Tahereh Mafi, Shatter Me

Sources:
[1] Original image from Wikimedia.
[2] The Real Victorian's digitally enhanced version of the painting (seen above), downloadable as a 8" x 10" @ 300 ppi JPEG.


Digitally enhanced reproductions of public domain paintings are shared under a Creative Commons Attribution 4.0 International License.

Printable Vintage Illustrations: Sunday Morning, 1886

You never know these days. Uninvited guests may force you to take an unplanned trip to an unknown destination; doesn’t hurt to be in your Sunday clothes.
― Anurag Shourie, Half A Shadow

Sundays are like confetti floating in the air in slow motion, in the evening they reach the ground and you hope a bit of wind could blow on them so they could fly a bit longer.
― Alain Bremond-Torrent, running is flying intermittently

1886 illustration of two ladies in their Sunday best. You can download the high-res illustrations in one 6" x 6" @ 300 ppi JPEG here. Larger image size available for licensing. Please inquire.


For personal use only. Not for resale. All digitized work by The Real Victorian is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Please cite RealVictorian.com as your source when sharing or publishing.

Vintage Art Appreciation: Hydrangeas by Philip Wilson Steer

Hydrangeas, c1901 by Philip Wilson Steer (1860–1942).
Oil on canvas. Public domain, colours enhanced.

The model for this painting was probably Miss Ethel Warwick, as may be deduced from a portrait of her in the National Gallery of South Africa, Cape Town, also of 1901, in which she is apparently wearing the same lace-edged jacket. Related drawings are in the Victoria and Albert Museum, Steer sketchbooks. (Source: The Fitzwilliam Museum)

Ethel Warwick, 1924
Ethel Maude Warwick (1882–1951) who likely posed for the painting abov became an artists model to help pay for her tuition at the London Polytechnic where she herself was studying to be an artist. This led to her meeting Herbert Draper; Draper used her as a model for several of his paintings, including The Lament for Icarus. Through him she became a favoured model for several artists, including John William Godward and Linley Sambourne, for whom she posed nude in a series of photographic studies. She was also sketched by James McNeill Whistler.

Ethel Warwick, 1930

Digitally enhanced reproductions of public domain paintings are shared under a Creative Commons Attribution 4.0 International License.